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<p>I would like to thank everyone who engaged and commented on my previous version of this list. The feedback I had was phenomenal and certainly unexpected. When I started this project it was meant to be just a reliable personal source of recommendations of films to watch from time to time. I never expected any interest outside of myself and my family, so thank you all again.</p><p>Just like my previous work, I feel that I have to make a disclaimer explaining that this list is not objective in any sense. I don't even believe it is possible to quantify art objectively. Nonetheless, I also believe that some works of art are better than others and we can learn why that is the case. What this list is is an attempt to generate a consensus between a wide range of opinions, eliminating as much bias as possible, while maintaining the integrity of the acclaim from academic criticism and also the general public.</p><p>This project came to be after my consistent failure to find reliable and unbiased movie lists, that addressed movies outside English-speaking countries with fairness and had a combination of opinions from new and old generations. Creating this list was a problem far more difficult than I first anticipated. Not only I had to find high-quality lists to have a sample size in which I could work, but also I had to create my mathematical system to aggregate the results as objectively as possible.</p><p>They Shoot Pictures, Don't They?" (TSPDT) would prove to be the best list by far, having already aggregated 12,276 individual lists into one single big list, ranking the top 1000 movies. Since no other data that I used got nowhere even close to this sample size, TSPDT became my base reference. Also, the quality of the list is undeniable, being the most reliable source of academic critical consensus on movies available on the internet.</p><p>That being said, the list is not perfect, having a huge "English bias" and severely underrating modern movies as well as the general public criticism. I had to find my own sources of reliable and high-quality lists (a task easier said than done due to the vast amount of unreliable material) to solve this problem. Once I had my complete selection, I used my mathematical system to aggregate the results in an attempt to minimize any subjective analysis. Of course, as stated before, eliminating it is impossible, but I'm confident that this system has minimal interference on my part.</p><p>I planned on updating my original list once my methods became better and more refined, but this new methodology produced such a different result that I had to create a new list. The major difference between this and the old list is a much better mathematical formula, that more accurately rewards films that have wide inconsistencies in their rankings across multiple sources (for instance, The Shawshank Redemption was severely underrated in the old list because of those inconsistencies). Also, I used individual directors and genres lists to more accurately rank the films, a method that provided much better results.</p><p>I will repeat what I said before. There's no way to claim that a particular list has THE best 1001 movies ever made in history, not to mention ranking them. But I can say that I'm happy with the results. I think this is the best list I've seen that is relatively accurate and fair, would speak to a significant number of people, covers movies from all generations and different countries, combines critics and the general public's tastes, has a broad number of genres, and is with as little bias as possible.</p><p>The mathematical system that I used I wish to remain a secret to preserve the authenticity of the list.</p>
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<p>Here is what I hope becomes a comprehensive list of every film worthy of being labeled a cult classic.</p><p>A cult film, also commonly referred to as a cult classic, is a film with a cult following, obscure or unpopular with mainstream audiences, and often revolutionary or ironically enjoyed. (Thanks Google)</p><p>A lot of weird and great films. If you're part of a film cult I don't know about, post below and I will add it to the list.</p>
993 movies
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<p>This is the April 2023 edition of the <a href="https://www.theyshootpictures.com/index.htm" rel="nofollow">They Shoot Pictures, Don't They?</a> list of the 1,000 greatest films.</p><p>2026 (21st edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-7/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-5/" rel="nofollow">1,001–2000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-5/" rel="nofollow">21st Century</a><br />2025 (20th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-6/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-4/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-4/" rel="nofollow">21st Century</a><br />2024 (19th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-5/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-3/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-3/" rel="nofollow">21st Century</a><br />2023 (18th edition): TSPDT 1–1,000, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-2/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-2/" rel="nofollow">21st Century</a><br />2022 (17th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-2/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-1/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-1/" rel="nofollow">21st Century</a><br />2021 (16th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-1/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys/" rel="nofollow">21st Century</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-poll-2021-edition/" rel="nofollow">Poll</a><br />2020 (15th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest/" rel="nofollow">1–1,000</a></p><p>The Winners – Top Climbers within the 1,000<br /><i>Black Girl</i> (1966), 890 to 266 (up 624)<br /><i>News from Home</i> (1976), 816 to 205 (up 611)<br /><i>Le Bonheur</i> (1965), 813 to 449 (up 364)<br /><i>Pink Flamingos</i> (1972), 926 to 604 (up 322)<br /><i>Twin Peaks: Fire Walk with Me</i> (2012), 852 to 536 (up 316)</p><p>The Winners – Highest Entrants into the 1,000<br /><i>Portrait of a Lady on Fire</i> (2019), ranked 187<br /><i>Moonlight</i> (2016), ranked 216<br /><i>Parasite</i> (2019), ranked 248<br /><i>Daughters of the Dust</i> (1991), ranked 250<br /><i>Get Out</i> (2017), ranked 358</p><p>The Losers – Biggest Fallers within the 1,000<br /><i>Grizzly Man</i> (2005), 508 to 851 (down 343)<br /><i>Let the Right One In</i> (2008), 592 to 924 (down 332)<br /><i>A History of Violence</i> (2005), 623 to 945 (down 322)<br /><i>The Social Network</i> (2010), 512 to 814 (down 302)<br /><i>The Host</i> (2006), 709 to 988 (down 279)</p><p>The Losers – Biggest Fallers from the 1,000<br /><i>Audition</i> (1999), formerly ranked 669<br /><i>Certified Copy</i> (2010), formerly ranked 700<br /><i>Ghostbusters</i> (1984), formerly ranked 705<br /><i>L.A. Confidential</i> (1997), formerly ranked 720<br /><i>Avatar</i> (2009), formerly ranked 734</p>
There's No Business Like Show Business: Take 4 - Movies
dapphimom
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Movies about Movie Making and Presentation: Amateur & Professional - Actors, Actresses, Directors, Foley Artists, FX Specialists, Make-Up Artists, Movie Fans & Movie Lovers, Movie Theaters, Producers, Screenwriters, Stunt Men & Women, and More
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<p>UPDATE--------------------------------------------------------------------------</p><p>This list is now obsolete. Check out the new version of the list:<br /><b><a href="https://boxd.it/dJ7kK" rel="nofollow">The 1001 greatest films, ranked as objectively as possible</a>.</b></p><p>END OF UPDATE---------------------------------------------------------------</p><p>I decided to start this project after observing the sheer absence of good, unbiased, ranking movie lists, that encompasses both new and old generations, addressed movies outside the US with fairness, and combined opinions of both critics and casual viwers. All of that while also beign as objective as possible.</p><p>Needless to say, creating such a list would prove to be a hard problem to tackle. Since the result would be something like an aggregated list, my first step was to look for the best exemple of such a list, that already combined a huge portion of the relevant data that I needed. "They Shoot Pictures, Don't They?" (TSPDT) would prove to be the best list by far, having already aggregated 11,398 individual lists (as of 2020) into one single big list, ranking the top 1000 movies. Since no other data that I used got nowhere even close to this sample size, TSPDT became my base reference.</p><p>That being said, the list had its flaws. It heavily biased for american movies, for movies before the 80's, and is hugely formed by traditional big name critics opinions. So I had to do my own work. I devised my own mathematical system, using weighted averages and other operations, in order to combine TSPDT list with other, very diferent but very trusted, lists in the best way possible. The use of mathematical formulas were an atempt to minimize any subjective analysis. Of course, eliminating it would be impossible (the whole nature of even the base list is based on subjective opinion), but I'm confident that the result has minimal interference from my part. The only insertion of my subjectivity in the list is in the weighted values that I attributed to the diferent lists used as data (which had to be done. Some lists are simply better than others).</p><p>I gave a special treatment to horror movies, since the general consensus on them varies greatly, and the opinion of critics and the general public differs significantly. That doesn't mean that I weighted them higher in any form, it just means that I used unique lists as data to rank them in my list. The base list for their rankings was the one on "They Shoot Zombies, Don't They?", which is another list following the formula on TSPDT (very fortunate indeed).<br />UPDATE: Now using specific lists to draw more accurate data for multiple movie genres.</p><p>No such a list will ever do justice. There's no way to even claim that a particular list has THE best 1001 movies ever made in history, not to mention ranking them. But I can say that I'm happy with the result (even though I disagree with a lot of things). I think this is the best list I've seen that is relatively accurate and fair, would speak to a significant number of people, covers movies from all generations and different countries, combines critics and the general public's tastes, has a broad number of genres, and is with as little bias as possible.</p><p>The individual lists that I used for data were checked to see if they didn't were already aggregated in the TSPDT list. They were somewhat prestigious lists available on the internet, and preferably already aggregating in their form (Letterboxd was one of them).</p><p>The mathematical system that I used I wish to remain a secret to preserve the authenticity of the list. But I can tell you it wasn't too crazy or complicated, and involved weighted averages (the highest weight was attributed to the TSPDT lists).</p><p>List Stats:</p><p>Movies by decade:<br />1900's: 1<br />1910's: 3<br />1920's: 30<br />1930's: 65<br />1940's: 75<br />1950's: 138<br />1960's: 160<br />1970's: 153<br />1980's: 120<br />1990's: 123<br />2000's: 101<br />2010's: 32<br />Top Year: 1974 (22 films)</p><p>Movies from director:<br />13 - Alfred Hitchcock.<br />12 - Jean-Luc Godard; John Ford; Luis Buñuel.<br />11 - Akira Kurosawa; Ingmar Bergman; Jean Renoir.<br />10 - Federico Fellini; Howard Hawks; Stanley Kubrick.<br />9 - Hayao Miyazaki; Luchino Visconti; Robert Bresson.<br />8 - Charles Chaplin; John Huston; Michael Powell; Roberto Rossellini; Yasujirō Ozu.<br />7 - Abbas Kiarostami; Andrei Tarkovsky; François Truffaut; Fritz Lang; Joel Coen & Ethan Coen; John Cassavetes; Kenji Mizoguchi; Martin Scorsese; Michelangelo Antonioni; Roman Polanski; Steven Spielberg.</p>
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They Shoot Pictures, Don't They? (TSPDT) is a modest but growing film resource dedicated to the art of motion picture filmmaking and most specifically to that one particular individual calling the shots from behind the camera - the film director.
This list is based on TSPDT's 1,000 Greatest Films, a list compilated by Bill Georgaris using thousands of best-of/all-time lists.
www.theyshootpictures.com
994 movies
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<p>This is the January 2021 edition of the <a href="https://www.theyshootpictures.com/index.htm" rel="nofollow">They Shoot Pictures, Don't They?</a> list of the 1,000 greatest films.</p><p>2026 (21st edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-7/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-5/" rel="nofollow">1,001–2000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-5/" rel="nofollow">21st Century</a><br />2025 (20th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-6/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-4/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-4/" rel="nofollow">21st Century</a><br />2024 (19th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-5/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-3/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-3/" rel="nofollow">21st Century</a><br />2023 (18th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-4/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-2/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-2/" rel="nofollow">21st Century</a><br />2022 (17th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-2/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-1/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-1/" rel="nofollow">21st Century</a><br />2021 (16th edition): TSPDT 1–1,000, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys/" rel="nofollow">21st Century</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-poll-2021-edition/" rel="nofollow">Poll</a><br />2020 (15th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest/" rel="nofollow">1–1,000</a></p><p>The Winners – Top Climbers within the 1,000<br /><i>Holy Motors</i> (2012), 619 to 285 (up 334)<br /><i>Mad Max: Fury Road</i> (2015), 629 to 351 (up 278)<br /><i>My Friend Ivan Lapshin</i> (1985), 690 to 513 (up 177)<br /><i>Once Upon a Time in Anatolia</i> (2011), 706 to 538 (up 168)<br /><i>Amour</i> (2012), 620 to 458 (up 162)</p><p>The Winners – Highest Entrants into the 1,000<br /><i>Toni Erdmann</i> (2016), ranked 363<br /><i>Under the Skin</i> (2013), ranked 399<br /><i>Boyhood</i> (2014), ranked 461<br /><i>The Master</i> (2012), ranked 485<br /><i>The Act of Killing</i> (2012), ranked 488</p><p>The Losers – Biggest Fallers within the 1,000<br /><i>Edward Scissorhands</i> (1990), 678 to 738 (down 60)<br /><i>Dog Star Man</i> (1964), 877 to 936 (down 59)<br /><i>L'Enfance nue</i> (1968), 903 to 960 (down 57)<br /><i>Floating Weeds</i> (1959), 909 to 966 (down 57)<br /><i>Rope</i> (1948), 908 to 965 (down 57)</p><p>The Losers – Biggest Fallers from the 1,000<br /><i>Superman</i> (1978), formerly ranked 746<br /><i>The Goddess</i> (1934), formerly ranked 783<br /><i>La Commune (Paris, 1871)</i> (2000), formerly ranked 810<br /><i>Blazing Saddles</i> (1974), formerly ranked 844<br /><i>The Diving Bell and the Butterfly</i> (2007), formerly ranked 905</p>
994 movies
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likes
They Shoot Pictures, Don't They? (TSPDT) is a modest but growing film resource dedicated to the art of motion picture filmmaking and most specifically to that one particular individual calling the shots from behind the camera - the film director.
This list is based on TSPDT's 1,000 Greatest Films, a list compilated by Bill Georgaris using thousands of best-of/all-time lists.
www.theyshootpictures.com
993 movies
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<p>This is the January 2026 edition of the <a href="https://www.theyshootpictures.com/index.htm" rel="nofollow">They Shoot Pictures, Don't They?</a> list of the 1,000 greatest films.</p><p>2026 (21st edition): TSPDT 1–1,000, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-5/" rel="nofollow">1,001–2000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-5/" rel="nofollow">21st Century</a><br />2025 (20th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-6/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-4/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-4/" rel="nofollow">21st Century</a><br />2024 (19th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-5/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-3/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-3/" rel="nofollow">21st Century</a><br />2023 (18th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-4/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-2/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-2/" rel="nofollow">21st Century</a><br />2022 (17th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-2/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-1/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-1/" rel="nofollow">21st Century</a><br />2021 (16th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-1/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys/" rel="nofollow">21st Century</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-poll-2021-edition/" rel="nofollow">Poll</a><br />2020 (15th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest/" rel="nofollow">1–1,000</a></p><p>The Winners – Top Climbers within the 1,000<br /><i>Ferris Bueller's Day Off</i> (1986), 793 to 662 (up 131)<br /><i>Once Upon a Time… in Hollywood</i> (2019), 852 to 721 (up 131)<br /><i>Raising Arizona</i> (1987), 759 to 629 (up 130)<br /><i>The Last Detail</i> (1973), 983 to 878 (up 105)<br /><i>An American Werewolf in London</i> (1981), 786 to 685 (up 101)</p><p>The Winners – Highest Entrants into the 1,000<br /><i>After Hours</i> (1985), ranked 833<br /><i>The Princess Bride</i> (1987), ranked 882<br /><i>Sideways</i> (2004), ranked 915<br /><i>The Blues Brothers</i> (1980), ranked 923<br /><i>La Flor</i> (937), ranked 937</p><p>The Losers – Biggest Fallers within the 1,000<br /><i>The Ice Storm</i> (1997), 954 to 989 (down 35)<br /><i>La Région Centrale</i> (1971), 455 to 488 (down 33)<br /><i>The Circus</i> (1928), 730 to 759 (down 29)<br /><i>One Way or Another</i> (1975), 731 to 760 (down 29)<br /><i>Sawdust and Tinsel</i> (1953), 969 to 998 (down 29)</p><p>The Losers – Biggest Fallers from the 1,000<br /><i>Hôtel Terminus: The Life and Times of Klaus Barbie</i> (1988), ranked 906<br /><i>Cemetery of Splendor</i> (2015), ranked 924<br /><i>Dust in the Wind</i> (1986), ranked 947<br /><i>I, a Negro</i> (1959), ranked 977<br /><i>Summer with Monika</i> (1953), ranked 984</p>
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<p>Co-Compiled by Sam DiSalle at <a href="https://mubi.com/lists/martin-scorseses-favorite-films" rel="nofollow">Mubi.com</a> as of 4.19.23</p><blockquote><p>All titles are gleaned from various sources, lists, interviews, etc.<br />Any additions and subtractions to be made are welcome, but please provide a source if possible. thanks to kenji, mubianer, xl, thecinemaadventurist, nelson núñez, surya biswas, james curry, scott d’agostino, zach, epessoa, zach callahan, brandon sparks, gregory pepe, carlitos barragan, RRR, davidsknight89, abas, un enthus palson, daynal, kunimosoJoe, isaacvalbuena08, uncleboonmee, james curry, jtisdale473, BB, Remigijus and s4mmcs for their contributions.</p></blockquote><p><a href="https://faroutmagazine.co.uk/martin-scorsese-updated-list-15-greatest-movies-of-all-time/" rel="nofollow">2022 <i>Sight and Sound</i> ballot</a></p><p>Includes <a href="https://twitter.com/edgarwright/status/1362711583995092992" rel="nofollow">Martin Scorsese’s 50 Favorite British Films</a> shared with Edgar Wright</p>
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<p>RIP 05/17/22 <br />[<b>disclaimer</b>: she had no top 4 & rated/reviewed none of these — besides 5 stars for <i>deliverance</i>.]</p><blockquote><p>the <i>babylon</i> and <i>barbie</i> watchlists are included as follows:</p></blockquote><p><b>babylon</b> is <i>the</i> <i>passion of</i> <i>joan of arc</i> — <i>safety last</i>, <b>barbie</b> is <i>the</i> <i>young girls of rochefort</i> — <i>playtime</i>.<br />more of <a href="https://boxd.it/nwwuY" rel="nofollow">greta gerwig’s barbie recs</a> are able to be found further down, chronologically in original logged order within the rest of unrelated films.</p><p><i>if she mentions seeing any other films in the future i’ll add them on to this list as well.</i></p>
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This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.
http://www.alsolikelife.com/FilmDiary/rosenbaum.html
Movies/Life
reflectiveperspective
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The good, the unforgettable and the life-changing films in my life
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In his Guide for the Film Fanatic (1986), Danny Peary provides short reviews for over 1600 “Must See” films.
104 movies missing. Imported from external source.
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> The 2013 version of TSPDT’s 1,000 Greatest Films is finally here. After months of stop-start, data-building and unhealthy calculation antics, the latest group of 1,000 movie offerings has been assembled once again for your pleasure (or displeasure). Depending on your observation skills, you may have already noticed that there is a new presentation for this ongoing project.
Source: `http://www.theyshootpictures.com/gf1000.htm`
The old 2012 edition can be found @http://trakt.tv/users/sp1ti/lists/they-shoot-pictures-dont-they-1000-greatest-films-2012
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<p>From his book Essential Cinema. </p><p>A huge thanks to everyone who added films, helped me find films with alternate titles, or made me aware of films that were added after I first compiled the list. Over two years later, it's finally complete!</p>
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<p>2000 films to see before you die, chronological order. Not a list consisting of my favorite films, but rather the ones that I feel are most essential to a cinephile, be it regarding quality, relevance or even solely popularity. This method results in a list with many films I don't even like, but feel one should give a try if possible. I tried to concile my personal judgement with a more analytical one in most of the choices here, but of course ended up adding many of my favorites too. Obviously there are many essential films I still haven't watched and didn't add - the idea is trying to update this list every one or two years to see how it develops. 27/04/2022</p>
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Dive into the offbeat, the bizarre, and the unforgettable with this "Cult Classics" collection. These films have earned their place in cinema history not necessarily through mainstream success, but through passionate fanbases and a unique charm that defies convention. Whether it’s through eccentric characters, unconventional storytelling, or just a flair for the weird and wonderful, these movies have captivated audiences and stood the test of time. From midnight movie madness to underground hits that have gained legendary status, this collection is a celebration of the quirky, the edgy, and the eternally cool. Perfect for those who appreciate films that break the mold and leave a lasting impression.
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Source: IMDB
Filter: Votes >= 10000
Order: Votes Descending
Date: 2014-08-23
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<p>À l'occasion de ses 90 ans, la Cinémathèque propose une liste pensée comme une invitation à revoir 180 des plus beaux films de l'histoire du cinéma. La règle du jeu : un seul film par cinéaste, deux titres par an depuis 1936. </p><p>Les 180 films élus seront projetés du 16 septembre 2026 à fin janvier 2027. L'occasion de de se constituer une petite histoire du cinéma à moindre frais, puisque toutes les séances sont à 1 € pour les moins de 26 ans.</p><p><a href="https://www.cinematheque.fr/cycle/nos-90-ans-en-180-films-1618.html" rel="nofollow">Détails et programme complet sur cinematheque.fr</a></p><p>-</p><p>To mark its 90th anniversary, the Cinémathèque is presenting a selection designed as an invitation to revisit 180 of the greatest films in cinema history. The rule: only one film per director, two titles per year since 1936.</p>
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<p>A <b>cult film </b>is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fambase, an elaborate subculture that engage in repeated viewings, quoting dialogue, and audience participation. Inclusive definitions allow for major studio productions, especially box office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. </p><p><br />The term <i>cult film</i> itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though <i>cult </i>was in common use in film analysis for decades prior to that.</p>
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<blockquote><p>Lors des rentrée 2017 puis 2020, il fut demandé aux Directeurs-Directrices des Départements et aux instances responsables de la Fémis de constituer une liste des 30 films considérés comme les plus indispensables : pour les élèves de leur secteur de spécialité (selon les Directeurs de département) ou pour l’histoire du cinéma et des arts filmiques en général (selon les responsables administratifs et techniques). Il ne s’agit donc pas d’une liste des films favoris, mais des titres estimés parmi les plus nécessaires pour nourrir l’imaginaire formel des élèves, pour aider ceux-ci à approfondir leur connaissance de l’histoire d’une discipline, pour servir de repères communs dans le cadre d’un enseignement. Cette liste collective s’ajoute à celle des « 208 films » constituée par Alain Bergala, fondée sur le principe de la découverte de sa propre esthétique par un auteur. Ensemble, ces listes établissent une proposition pour quiconque – élèves de La Fémis, candidat-e-s, cinéphiles de tous horizons – voudrait commencer son initiation aux histoires du cinéma et des arts filmiques.</p></blockquote><p>Source: <a href="https://www.femis.fr/liste-des-films-recommandes-par-la-1253" rel="nofollow">La Fémis</a></p><p><br />LES 208 FILMS QU’IL FAUT AVOIR VUS (édition de 2008)</p><blockquote><p><i>La richesse d’une œuvre - d’une génération – est toujours donnée par la quantité de passé<br />qu’elle contient.</i><br />Cesare Pavese (<i>Le métier de vivre</i>).</p><p><i>Même quand nous ne le voulons pas, le Passé détermine les formes de vie que nous<br />imaginons ou projetons pour l’avenir.</i><br />Pier Paolo Pasolini (<i>Pétrole</i>)</p><p><br />Cette liste n’est pas un palmarès, ni en aucun cas la liste des 208 meilleurs films de l’histoire du cinéma. Sa visée est tout autre. 208 films, c’est 1 film par semaine pendant 4 ans, c’est-à-dire un rythme de croisière tout à fait raisonnable pour un élève de la Femis, qui a choisi de faire du cinéma son métier. Nul ne saurait évidemment s’en contenter.<br />Quel est le sens d’une telle liste ? Un jeune homme ou une jeune femme qui aurait vu (vraiment vu, c’est-à-dire médité, discuté, car voir sans laisser résonner ce que l’on a vu n’est pas voir) ces 208 films aurait une solide idée de ce qui l’a précédé dans le cinéma depuis que celui-ci existe. Cette liste nous semble dessiner une carte des œuvres et des cinéastes indispensables à qui veut se repérer dans un univers où il se prépare à entrer.<br />La visée de cette liste est moins d’histoire (au sens propre du terme) que de culture cinématographique. Aucun peintre ne peut faire l’économie des grandes œuvres qui l’ont précédé. Il en va de même au cinéma : il importe au plus haut point de<br />connaître ce dont le cinéma a été capable avant son propre engagement, de quelque ordre qu’il soit, dans cet art.<br />La cinéphilie a toujours eu partie liée avec un goût pour la liste en tant qu’elle est provisoirement close et exclusive, donc objet possible de discussions passionnées.<br />Toute liste est par définition contestable. Celle-ci a été élaborée en concertation avec les directeurs de département de l’école, la directrice des études, son directeur et son président. Chacun pourra néanmoins s’étonner ou s’indigner de tel ou tel manque, de tel ou tel choix. C’est aussi l’intérêt d’une telle liste de pousser chacun à comparer avec SA<br />liste idéale, à chercher les absences à ses yeux scandaleuses. Cela permet de faire le point sur sa propre planète de cinéma imaginaire, de mieux cerner la cartographie de son goût propre.<br />Cette liste assume sereinement les distorsions perspectives issues du fait qu’elle est établie à un moment donné (2008), en un point donné (La France), pour des destinataires précis (les élèves de la FEMIS), avec une part normale de subjectivité.<br />Personne ne vient du ciel d’une Histoire du cinéma aux valeurs immanentes. Elle a été établie avec beaucoup de scrupules, doutes, repentirs, à partir de celles que nous ont été communiquées au moment de son élaboration, mais toujours en gardant en tête son objectif d’auto-culture pour des jeunes gens qui se destinent à la création<br />cinématographique, à quelque poste que ce soit.<br />Il ne s’agit en aucun cas des films les plus aboutis de chaque cinéaste. Le choix s’est plutôt porté sur les films où le cinéaste affichait sa plus grande singularité, où était<br />le plus sensible sa musique personnelle, ou encore le film où il venait de découvrir sa place dans le cinéma et son possible apport personnel. Il est toujours plus intéressant pour un apprenti d’observer le moment où un cinéaste s’est trouvé plutôt que celui où il a commencé à maîtriser calmement ce qu’il avait trouvé. Le choix s’est toujours porté sur<br />ce qui nous a semblé être les films les plus profitables à un apprenti en cinéma d’aujourd’hui.<br />Choisir un film de Jean Renoir, de Fritz Lang, d’Orson Welles ou de Godard est aussi absurde que choisir un tableau de Picasso dans un siècle de peinture, surtout pour<br />les cinéastes qui ont traversé des périodes radicalement différentes du cinéma, par exemple du muet au parlant pour Buñuel ou du cinéma européen au cinéma américain<br />pour Lang. Il va de soi que le film choisi vaut comme simple indication emblématique, et que l’on ne saurait se contenter, pour les grands cinéastes, de voir un seul de leurs films.<br />Le cinéma français a la part belle dans cette liste puisqu’après tout c’est dans cette généalogie que la plupart des élèves de la FEMIS, quel que soit leur département, vont avoir à trouver leur place et inscrire leur travail. Le cinéma des trente dernières années y occupe une place de choix dans la mesure où il est le plus prégnant dans la constitution d’une pensée actuelle du cinéma.<br />Il y a des films qui aident à vivre (ceux-là, rares, on les trouve tout seul) et les films qui aident à créer (ceux-là répondent à d’autres critères, et on ne les croise par toujours au bon moment, quand on en aurait besoin). Les avoir repérés avant peut être d’un grand recours. Voir de tels films, quand on s’apprête à travailler dans le cinéma, déclenche des idées, des réflexions, des comparaisons, des envies, des pulsions et<br />répulsions de cinéma. Rien n’est plus volatile que ces idées de traverse. C’est aussi une fonction de cette liste : susciter l’envie de noter à chaud et pour soi, sur chaque film vu,<br />ces idées de traverse. Nul doute que ces notes d’apprenti sur les œuvres du passé ne deviennent à la longue un outil précieux de repérage de soi, de ses goûts et dégoûts,<br />des grandes lignes de force de son idée de cinéma. Et il n’y a pas de bon cinéma, pour quiconque y travaille, sans une idée forte du cinéma.<br />- Alain Bergala (2008)</p></blockquote><p>Bergala: Lumoière brothers, Norman Mac Laren, Georges Méliès, Artavazd Pelechian</p><p>Analyse & culture ciné: <br />Étienne-Jules Marey, Georges Demenÿ, Bandes chronophotographiques, France, 1890<br />Toute l'oeuvre d'André S. Labarthe</p><p><a href="https://www.femis.fr/IMG/pdf/liste_des_208_films_e_dition_de_2008_.pdf" rel="nofollow">www.femis.fr/IMG/pdf/liste_des_208_films_e_dition_de_2008_.pdf</a><br /><a href="https://www.femis.fr/IMG/pdf/liste_des_films_femis_2018.pdf" rel="nofollow">www.femis.fr/IMG/pdf/liste_des_films_femis_2018.pdf</a><br /><a href="https://www.femis.fr/IMG/pdf/01._liste_des_films_femis_2021_par_departements_et_par_ordre_chronologique.pdf" rel="nofollow">www.femis.fr/IMG/pdf/01._liste_des_films_femis_2021_par_departements_et_par_ordre_chronologique.pdf</a><br /><a href="https://www.femis.fr/IMG/pdf/liste_des_films_recommandes_par_de_partement_de_la_femis_2023.pdf" rel="nofollow">www.femis.fr/IMG/pdf/liste_des_films_recommandes_par_de_partement_de_la_femis_2023.pdf</a></p>
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In his Guide for the Film Fanatic (1986), Danny Peary provides short reviews for over 1600 “Must See” films.
104 movies missing. Imported from external source.
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<p>As of May 16, 2026. Curated by <a href="https://boxd.it/2oA09" rel="nofollow">Mihir Nanda</a>, extracted from <a href="https://letterboxd.com/films/decade/1960s/by/rating/" rel="nofollow">here</a>. This list ranks narrative feature films released in the 1960s by average member rating. </p><p>These <a href="https://letterboxd.com/official/list/top-250-films-of-the-1960s/stats/" rel="nofollow">list stats</a> are unlocked for everybody!</p><p>See the top films by year: <a href="https://letterboxd.com/official/list/top-250-films-of-the-1960s/year/1960/" rel="nofollow">1960</a> | <a href="https://letterboxd.com/official/list/top-250-films-of-the-1960s/year/1961/" rel="nofollow">1961</a> | <a href="https://letterboxd.com/official/list/top-250-films-of-the-1960s/year/1962/" rel="nofollow">1962</a> | <a href="https://letterboxd.com/official/list/top-250-films-of-the-1960s/year/1963/" rel="nofollow">1963</a> | <a href="https://letterboxd.com/official/list/top-250-films-of-the-1960s/year/1964/" rel="nofollow">1964</a> | <a href="https://letterboxd.com/official/list/top-250-films-of-the-1960s/year/1965/" rel="nofollow">1965</a> | <a href="https://letterboxd.com/official/list/top-250-films-of-the-1960s/year/1966/" rel="nofollow">1966</a> | <a href="https://letterboxd.com/official/list/top-250-films-of-the-1960s/year/1967/" rel="nofollow">1967</a> | <a href="https://letterboxd.com/official/list/top-250-films-of-the-1960s/year/1968/" rel="nofollow">1968</a> | <a href="https://letterboxd.com/official/list/top-250-films-of-the-1960s/year/1969/" rel="nofollow">1969</a></p><p><b>Eligibility rules:</b><br />• There is a 15,000 minimum ratings threshold. <br />• Films must have had their first national release from January 1, 1960 to December 31, 1969 in any country.<br />• Films must be feature-length (more than 40 minutes long) with a festival premiere, theatrical distribution or professional streaming release.<br />• This list excludes: documentaries of any kind, self-released web videos, DTV films, recap or recut films, theatre or stage shows, TV series or TV movies, specials or episodes.</p><p><b><a href="https://boxd.it/2l6d" rel="nofollow">Official List HQ Directory</a></b> | <a href="https://letterboxd.com/official/tag/best-by-decade/lists/" rel="nofollow">Decade Lists</a> | <a href="https://letterboxd.com/official/tag/mihir-nanda/lists/" rel="nofollow">Lists by Mihir Nanda</a></p>
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<p>This is the February 2022 edition of the <a href="https://www.theyshootpictures.com/index.htm" rel="nofollow">They Shoot Pictures, Don't They?</a> list of the 1,000 greatest films.</p><p>2026 (21st edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-7/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-5/" rel="nofollow">1,001–2000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-5/" rel="nofollow">21st Century</a><br />2025 (20th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-6/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-4/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-4/" rel="nofollow">21st Century</a><br />2024 (19th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-5/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-3/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-3/" rel="nofollow">21st Century</a><br />2023 (18th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-4/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-2/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-2/" rel="nofollow">21st Century</a><br />2022 (17th edition): TSPDT 1–1,000, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000-1/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys-1/" rel="nofollow">21st Century</a><br />2021 (16th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest-1/" rel="nofollow">1–1,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-the-1001-2000/" rel="nofollow">1,001–2,000</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-21st-centurys/" rel="nofollow">21st Century</a>, <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-poll-2021-edition/" rel="nofollow">Poll</a><br />2020 (15th edition): TSPDT <a href="https://letterboxd.com/thisisdrew/list/they-shoot-pictures-dont-they-1000-greatest/" rel="nofollow">1–1,000</a></p><p>The Winners – Top Climbers within the 1,000<br /><i>Hellzapoppin'</i> (1941), 910 to 789 (up 121)<br /><i>The Outlaw Josey Wales</i> (1976), 927 to 834 (up 93)<br /><i>Goodbye, Dragon Inn</i> (2003), 648 to 556 (up 92)<br /><i>Gentlemen Prefer Blondes</i> (1953), 979 to 896 (up 83)<br /><i>The Crucified Lovers</i> (1954), 934 to 856 (up 78)</p><p>The Winners – Highest Entrants into the 1,000<br /><i>Phantom Thread</i> (2017), ranked 550<br /><i>Fish Tank</i> (2009), ranked 802<br /><i>Donnie Darko</i> (2001), ranked 812<br /><i>Blazing Saddles</i> (1974), ranked 822<br /><i>La Commune (Paris, 1871)</i> (2000), ranked 828</p><p>The Losers – Biggest Fallers within the 1,000<br /><i>Burnt by the Sun</i> (1994), 837 to 931 (down 94)<br /><i>Big Deal on Madonna Street</i> (1958), 689 to 742 (down 53)<br /><i>Masculin Féminin</i> (1966), 537 to 585 (down 48)<br /><i>Being There</i> (1979), 590 to 637 (down 47)<br /><i>Ten</i> (2002), 881 to 913 (down 32)</p><p>The Losers – Biggest Fallers from the 1,000<br /><i>Lessons of Darkness</i> (1992), formerly ranked 813<br /><i>Saraband</i> (2003), formerly ranked 913<br /><i>To Live</i> (1994), formerly ranked 971<br /><i>Ludwig</i> (1973), formerly ranked 975<br /><i>Black Orpheus</i> (1959), formerly ranked 976</p>
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The 2013 edition can be found at http://trakt.tv/user/sp1ti/lists/they-shoot-pictures-dont-they-1000-greatest-films-2013.
> Welcome to 2012's edition of the 1,000 Greatest Films. This will be the last update prior to the publication of the 'earth-shattering' Sight & Sound poll which will be unfurled later in the year. The Sight & Sound results will no doubt have a major impact on TSPDT's 1,000 Greatest Films listing. It will become the most heavily weighted poll within our calculations. Anyway, that is then, and this is now."
Source: `http://www.theyshootpictures.com/gf1000.htm`
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<p>Published on January 1, 2026</p><p>Dear film and list lovers, welcome to the 21st version of the 1,000 Greatest Films.</p><p>Main lists → <a href="https://theyshootpictures.com/gf1000.htm" rel="nofollow"><b>Greatest Films</b></a> | <a href="https://theyshootpictures.com/21stcentury.htm" rel="nofollow"><b>The 21st Century’s Most Acclaimed Films (2000-2025)</b></a><br />_¯_¯_¯_¯_¯_¯_¯_¯↓↓↓¯_¯_¯↓↓↓¯_¯↓↓↓¯_¯↓↓↓¯_¯_¯_¯_¯_¯_¯_¯_¯↓↓↓↓↓↓↓↓↓↓↓¯_¯_¯_¯_¯_¯_¯_¯_¯<br />2026 Edition → 1,000 | <a href="https://letterboxd.com/tspdtfanaccount/list/the-2500-greatest-films-21st-edition-2026/" rel="nofollow">2,500</a> | <a href="https://letterboxd.com/tspdtfanaccount/list/top-250-19th-edition-2026-of-the-21st-centurys/" rel="nofollow">250</a> | <a href="https://letterboxd.com/tspdtfanaccount/list/top-1000-19th-edition-2026-of-the-21st-centurys/" rel="nofollow">1,000</a> | <a href="https://letterboxd.com/tspdtfanaccount/list/50-most-critically-acclaimed-films-of-2025/" rel="nofollow">50 Most Critically-Acclaimed Films of 2025</a><br />2025 Edition → <a href="https://letterboxd.com/tspdtfanaccount/list/the-1000-greatest-films-20th-edition-2025/" rel="nofollow">1,000</a> | <a href="https://letterboxd.com/tspdtfanaccount/list/the-2500-greatest-films-20th-edition-2025/" rel="nofollow">2,500</a> | <a href="https://letterboxd.com/tspdtfanaccount/list/top-250-18th-edition-2025-of-the-21st-centurys/" rel="nofollow">250</a> | <a href="https://letterboxd.com/tspdtfanaccount/list/top-1000-18th-edition-2025-of-the-21st-centurys/" rel="nofollow">1,000</a> | <a href="https://letterboxd.com/tspdtfanaccount/list/51-most-critically-acclaimed-films-of-2024/" rel="nofollow">51 Most Critically-Acclaimed Films of 2024</a><br />2024 Edition → <a href="https://letterboxd.com/tspdtfanaccount/list/the-1000-greatest-films-19th-edition-2024/" rel="nofollow">1,000</a> | <a href="https://letterboxd.com/tspdtfanaccount/list/the-2500-greatest-films-19th-edition-2024/" rel="nofollow">2,500</a> | <a href="https://letterboxd.com/tspdtfanaccount/list/top-250-17th-edition-2024-of-the-21st-centurys/" rel="nofollow">250</a> | <a href="https://letterboxd.com/tspdtfanaccount/list/top-1000-17th-edition-2024-of-the-21st-centurys/" rel="nofollow">1,000</a> | <a href="https://letterboxd.com/tspdtfanaccount/list/50-most-critically-acclaimed-films-of-2023/" rel="nofollow">50 Most Critically-Acclaimed Films of 2023</a><br /><a href="https://theyshootpictures.com/gf1000_top250directors.htm" rel="nofollow">Top 250 Directors of all-time</a> | <a href="https://theyshootpictures.com/21stcentury_top100directors.htm" rel="nofollow">Top 100 Directors of the 21st Century So Far (2000-2025)</a></p><p><b><<<<<<<<<< Other important lists >>>>>>>>>></b><br />↓↓↓↓ <a href="https://letterboxd.com/tspdtfanaccount/list/tspdts-film-recommendations/" rel="nofollow">TSPDT’s Film Recommendations</a> ↓↓↓↓<br /><a href="https://letterboxd.com/tspdtfanaccount/list/50-most-critically-acclaimed-films-of-2022/" rel="nofollow">50 Most Critically-Acclaimed Films of 2022</a><br /><a href="https://letterboxd.com/tspdtfanaccount/list/50-most-critically-acclaimed-films-of-2021/" rel="nofollow">50 Most Critically-Acclaimed Films of 2021</a><br /><a href="https://letterboxd.com/tspdtfanaccount/list/50-most-critically-acclaimed-films-of-2020/" rel="nofollow">50 Most Critically-Acclaimed Films of 2020</a><br /><a href="https://letterboxd.com/tspdtfanaccount/list/50-most-critically-acclaimed-films-of-2019/" rel="nofollow">50 Most Critically-Acclaimed Films of 2019</a><br /><a href="https://letterboxd.com/tspdtfanaccount/list/50-most-critically-acclaimed-films-of-2018/" rel="nofollow">50 Most Critically-Acclaimed Films of 2018</a><br /><a href="https://letterboxd.com/tspdtfanaccount/list/50-most-critically-acclaimed-films-of-2017/" rel="nofollow">50 Most Critically-Acclaimed Films of 2017</a><br /><a href="https://letterboxd.com/tspdtfanaccount/list/25-most-critically-acclaimed-films-of-2016/" rel="nofollow">25 Most Critically-Acclaimed Films of 2016</a><br /><a href="https://letterboxd.com/tspdtfanaccount/list/25-most-critically-acclaimed-films-of-2015/" rel="nofollow">25 Most Critically-Acclaimed Films of 2015</a><br /><a href="https://letterboxd.com/tspdtfanaccount/list/25-most-critically-acclaimed-films-of-2014/" rel="nofollow">25 Most Critically-Acclaimed Films of 2014</a><br /><a href="https://letterboxd.com/tspdtfanaccount/list/25-most-critically-acclaimed-films-of-2013/" rel="nofollow">25 Most Critically-Acclaimed Films of 2013</a></p><p>This year's edition encompasses 12 changes to the <i>1,000 Greatest Films</i>. 10 films are re-entries, whilst only two films appear for the first time:</p><p><b>(NEW)</b> <i>La Flor</i> (2018), ranked 937<br /><b>(NEW)</b> <i>No Home Movie</i> (2015), ranked 951</p><p>Listed below are the biggest climbers and sliders in this year’s edition:</p><p><b>Top Climbers within the 1,000</b><br /><i>Ferris Bueller's Day Off</i> (1986), 793 to 662 (up 131)<br /><i>Once Upon a Time... in Hollywood</i> (2019), 852 to 721 (up 131)<br /><i>Raising Arizona</i> (1987), 759 to 629 (up 130)<br /><i>The Last Detail</i> (1973), 983 to 878 (up 105)<br /><i>American Werewolf in London</i> (1981), 786 to 685 (up 101)<br /><i>Airplane!</i> (1980), 895 to 794 (up 101)</p><p><b>Highest Entrants into the 1,000</b><br /><i>After Hours</i> (1985), ranked 833<br /><i>The Princess Bride</i> (1987), ranked 882<br /><i>Sideways</i> (2004), ranked 915<br /><i>The Blues Brothers</i> (1980), ranked 923<br /><i>La Flor</i> (2018), ranked 937</p><p><b>Biggest Sliders within the 1,000</b><br /><i>Ice Storm</i> (1997), 954 to 989 (down 35)<br /><i>La Région centrale</i> (1971), 455 to 488 (down 33)<br /><i>The Circus</i> (1928), 730 to 759 (down 29)<br /><i>One Way or Another</i> (1977), 731 to 760 (down 29)<br /><i>Sawdust and Tinsel</i> (1953), 969 to 998 (down 29)</p><p><b>Biggest Sliders from the 1,000</b><br /><i>Hôtel Terminus</i> (1988), previously ranked 906<br /><i>Cemetery of Splendour</i> (2015), previously ranked 924<br /><i>Dust in the Wind</i> (1986), previously ranked 947<br /><i>Moi, un Noir</i> (1958), previously ranked 977<br /><i>Summer with Monika</i> (1953), previously ranked 984</p><p>List of notes:<br />64. <a href="https://letterboxd.com/film/fanny-and-alexander/" rel="nofollow">Fanny and Alexander</a> → There also exists a longer <a href="https://letterboxd.com/film/fanny-and-alexander-1984/" rel="nofollow">television version</a> of the film.<br />427. <a href="https://letterboxd.com/film/scenes-from-a-marriage/" rel="nofollow">Scenes from a Marriage</a> → There also exists a longer <a href="https://letterboxd.com/film/scenes-from-a-marriage-1973-1/" rel="nofollow">television version</a> of the film.<br />881. <a href="https://letterboxd.com/film/mysteries-of-lisbon/" rel="nofollow">Mysteries of Lisbon</a> → There also exists a longer <a href="https://letterboxd.com/film/mysteries-of-lisbon-2011/" rel="nofollow">television version</a> of the film.<br />988. <a href="https://letterboxd.com/film/olympia-part-one-festival-of-the-nations/" rel="nofollow">Olympia: Part One – Festival of the Nations</a> → This list considers Olympia (1938) as one film, but Letterboxd, IMDB and TMDB consider Olympia (1938) as two-part film:<br /><i>Olympia: Part One – Festival of the Nations;</i> <a href="https://letterboxd.com/film/olympia-part-two-festival-of-beauty/" rel="nofollow"><i>Olympia: Part Two – Festival of Beauty</i></a></p>
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<p>Made this list for my friend <a href="https://letterboxd.com/renegadeprof/" rel="nofollow">Alex</a>. Since comedy is his favourite genre, I thought it'd be fun to find the Letterboxd community's most loved comedy films.</p><p>In the comments below, vote for up to 10 comedy films. 1 point goes to each film you pick, and you don't have to rank your selections. What counts as a comedy film is up to you, and I'll only question particularly unusual picks. Films don't have to already be on the list, you're welcome to induct new entries.</p><p>You can change your votes at a later time if you want.</p><p>The list is sorted by points, then alphabetically by film name.</p><p>Other votes I run: <a href="https://boxd.it/1KtuQ" rel="nofollow">Directors</a> | <a href="https://boxd.it/1RK5s" rel="nofollow">Sci-Fi Films</a> | <a href="https://boxd.it/1Ysjg" rel="nofollow">Romance Films</a> | <a href="https://boxd.it/21vTi" rel="nofollow">Animated Films</a> | <a href="https://boxd.it/25oeK" rel="nofollow">LGBTQ+ Films</a> | <a href="https://boxd.it/289aO" rel="nofollow">Horror Films</a> | <a href="https://boxd.it/2c5Ig" rel="nofollow">2000s Films</a> | <a href="https://boxd.it/2c5Mi" rel="nofollow">1990s Films</a> | <a href="https://boxd.it/2ecq8" rel="nofollow">1980s Films</a> | <a href="https://boxd.it/2mosc" rel="nofollow">1970s Films</a> | <a href="https://boxd.it/2w0xC" rel="nofollow">1960s Films</a> | <a href="https://boxd.it/2LGZo" rel="nofollow">1950s Films</a> | <a href="https://boxd.it/2LHbE" rel="nofollow">1940s Films</a> | <a href="https://boxd.it/2oBhU" rel="nofollow">2018 Films</a></p><p>VOTING IS NOW CLOSED</p>